“This has been a year of understanding resilience and how humor is part of processing something as dark and deep as suicide.”
Shannon Forney is working at the intersection of creativity, creative placemaking, entrepreneurialism, small business, nonprofit management, and clown. On this episode of the podcast, Shannon talks about the work clown training does to separate the person from the ego and to see the foley of attempting that separation. She also shares very openly about running her own business with her partner and her past year of resilience after her sister's suicide.
Originally from Maine, Shannon Forney has performed in the Twin Cities with Jon Ferguson Theater (Animal Farm 2008), TigerLion Arts (MN State Fair 2013), and at the Walker Art Center in a steam punk-musical by the LISPS (FUTURITY 2012). She studied Red Nose with master clown, Giovanni Fusetti and contemplative performance with Naropa University faculty, Nina Rolle. Puppetry credits include Odessa's Animal Adventure (2012) at the MN Zoo, Instruments of Tortuga (2007) at Heart of the Beast, and Dreamland Fire Waltz in Boulder Colorado (2003).
Shannon is the co-owner of WORKHORSE COFFEE BAR in St Paul is the lead curator for the Smallest Museum in St Paul, a 2015-2016 Knight Foundation St Paul Arts Challenge project. Shannon served as inaugural board chair for 20% Theater from 2009-2012. Her last performance with the company was as ensemble lead for the MN Fringe Festival creation Elephant Shoes and Olive Juice (2008), about miscommunication, inspired by typewriters, tin-can phones, and text messaging. Scooper, her dubious under-dog clown character has made appearances at the Walker Art Center's Open Field (2014), LRT Green Line Launch, and various Twin Cities events. She considers clowning as artistic social practice, engaging audiences in small acts of curiosity.